Continuing to explore this idea that we are moving out of a Postmodern era and into a more fluid “Age of Interconnectivity” (AoI) I though it would be prudent to explore the possibilities of Art in this age.
There are several artists now working that embody the idea that we are all connected and participating in the art itself. Unlike the happenings of the 60s and 70s which “performed” art as a dramatic representation of a visual expression, art of the AoI engages the viewer personally, not only as an observer or voyeur but as a participant in the creation of the work. A perfect example of this is Daniel Rozin’s Wooden Mirrors. These pieces are incredible and will never be able to be represented well in an art history book because of the movement that is at the core if the image itself. CLICK HERE to see a youtube video of the mirror in action. Not only does the image involve the participation of the viewer, the image does not really exist without the viewer, yet the “reality” expressed by the image is still an expression of the artist’s vision.
The genre of interactive art has gone mainstream for more than a decade now, so if you are not familiar with online manipulation of images and experiences in art, take time to look at some of the past exhibitions and artists represented by Art Interactive.
All of this being said, I am still just a regular ole freakin’ painter…so how do I express my work in this new age without being irrelevant? There are a couple of ways this could be achieved. First there could be an interactive “live” interaction in the making of the paintings. Imagine a ustream video feed from the studio while the work is being made, with chat comments active during the process and me responding in the work. In this example, the “work” would really be the event itself, while the painting is merely a marketable residue of the event. Secondly there could be art that “comments” on the AoI. This is the most likely position for artists who have and will continue to work in traditional mediums. A great example of this is Eric Parnes’ work on surveillance. CLICK HERE to learn more about him and his work.
Let me know what you think, and what you suppose art will look like in this new age.